Reverb notes the revival of three historic recording studios, including Sun.
In Memphis, Nashville, and Muscle Shoals, Alabama, the reappearance and renewed vitality of these seminal sound sanctuaries goes beyond the museumification of music epitomized by the Rock & Roll Hall of Fame or Graceland.
Their return could also be seen as a rebuke to the laptop mentality, to Auto-Tune, to infinite tracks of Pro Tools. They remind us that it was always about a bunch of people crammed into a small room making music, a long-buried nerve these studios seem to be touching.
Interestingly enough, each of these studios are in cities that comprise what some call the Americana Music Triangle. It stands to reason that a renewed interest in American roots music would coincide with a renewed interest in the studios and methods once used to record it.
(A note of personal trivia: my first recording session in Nashville in 1994 or 1995 was at RCA Studio A, then known as Havelina or “Big Pig”. My band The Viceroys, later known as The V-Roys, were recording demos there for E Squared Records, Steve Earle’s label. Bucky Baxter produced. I was around 19 or 20 years old, and it was my first time on a professional session).